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- Information
15 
1893
Indian ink on strong wove
16
1904
Charcoal on Ingres laid paper
17
1921
Brush and pen in Indian ink over preliminary drawing in
179
1903
Line etching, drypoint, vernis mou, emery, needle tufts and
180
Circa 1890
Pen and brush in India ink,
181
1903
Black chalk on beige laid paper
182
1906
Charcoal on beige laid paper
183
1916
Black charcoal on yellow laid paper
431
1915-1917
Black chalk on beige, tinted wove paper
432
Between 1893 and 1897
Line etching, drypoint, aquatint, emery and polishing steel
433
Between 1893 and 1897
Needle etching, drypoint,
434
Before mid-March 1901
Line etching, drypoint, aquatint or brush etching and
435
1902
Lithograph with brown tone plate, heavily reworked by the
436
Circa 1905
Colour lithograph on heavily
437
Between the beginning of August and Christmas 1920
438
1921-1922
Woodcut on imperial Japan
439
1921/1922
Woodcut on imperial Japan
440
1922
Woodcut on imperial Japan
441
Spring 1924
Woodcut (partial print), on thick, soft, rough Japan
442
1923
Lithograph on firm wove paper with watermark "Cherub head
443
Probably before October 1924
Chalk lithograph (transfer print) on ribbed laid paper
444
1924/early 1925
Woodcut on thick, soft Japan
445
1929
Woodcut, on thick, soft, rough Japan
446
1929
Woodcut, reworked with opaque white, on thick, soft, rough
447
1929
Woodcut, on thick, soft, rough Japan
448
1929
Woodcut, on thick, soft, rough Japan
449
1929
Woodcut on Japan
1321
between 1893 and 1897
Lithograph Chine collé on copperplate paper
1322
1892-1897, each edition from 1931
Line etching and drypoint, 1
1323
1893
Line etching, drypoint and emery on copperplate paper
1324
Around 1893
Line etching, drypoint, aquatint and brush etching on
1325
Between 1893 and 1897
Chalk and pen lithograph, chine collé rolled onto
1326
1899, edition 1921
Line etching, drypoint and aquatint
1327
1904 (?), (edition 1921)
Line etching, emery, reservage and vernis mou with fabric
1328
1904/1905
Line etching, drypoint, reservage and emery on copperplate
1329
2193
Lithograph in light brown
1330
before mid-June 1906
Etching with line etching, drypoint and aquatint in black
1331
1902-1908, later editions
Per line etching
1332
1907
Line etching, drypoint, aquatint on wove paper on cardboard
1333
1907
Line etching, drypoint, aquatint and emery on copperplate
1334
1909
Line etching, drypoint, aquatint on wove paper
1335
1909
Line etching, drypoint, aquatint and emery on Japan laid
1336
Before the end of September 1910
Line etching, emery and vernis mou on copperplate paper
1337
1911
Line etching, drypoint, emery
1338
1911 (edition between 1946/48 and 1963/65)
1339
1912, edition from 1931
Line etching and drypoint on yellowish brown, smooth paper
1340
1919
Chalk Lithograph
1341
1919
Line etching, aquatint, emery and vernis mou on laid paper
1342
1920
Woodcut on fine Japan
1343
1920
Lithograph on laid paper
