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- Information
133 
Before October 1919
Line etching, aquatint,
134
1941
Chalk lithograph (transfer
380
Design 1926-1936, cast after 1958, probably late 1960s/early 1970s
Bronze cast on shell
381
1935/1936, authorized posthumous cast from 1947 to 1959
382
circa 1904
Line etching, burnisher, reservage and vernis mou, the
383
circa 1905
Colour lithograph on heavily
384
1903
Line etching, drypoint, burnisher and vernis mou on
385
Before October 1919
Line etching, aquatint,
386
Before October 1919
Line etching, aquatint, sandpaper, reservage and vernis mou
387
Probably spring 1922
Woodcut on strong, soft Japan paper
388
Probably spring 1922
Woodcut on strong, soft Japan paper
389
1922/23
Woodcut, not fully inked on the left, on strong, soft Japan
390
1923
Lithograph on strong wove paper with cherub-head watermark
391
circa 1925
Lithograph on Japan laid paper
825
1921-1923, published 1923
Portfolio of hammered paper with woodcut on the cover. With
901
1890
Indian ink and pencil on heavy wove paper
902
1891
Indian ink and pencil on
903
Circa 1892
Indian ink and pencil on
904
Circa 1888/1889
Indian ink and pencil on wove
905
1893
Pencil over black, yellow and white chalk on grey-brown
906
Circa 1892-1894
Charcoal, black and yellow
907
Circa 1900
Indian ink and watercolour on Richard de Bas laid paper
908
Before 1896 or 1896
Indian ink, watercolour and
909
1899
Colour etching, reworked with pencil, Indian ink and orange
910
1903
Charcoal, black and yellow chalk on ochre cardboard
911
1903
Black, white and yellow chalk, partially smudged, and
912
1907
Black and white chalk on
913
1907
Charcoal and chalk, partially smudged, with highlights in
914
1901
Colour lithograph on thin Japan paper
915
1904
Chalk and brush lithograph printed from three stones on
916
Circa 1910
Charcoal, partially smudged, on beige MBM laid paper
917
1910
Etching on sturdy, beige wove paper
918
1922/1923
Chalk on beige wove paper
919
1922
Indian ink and opaque white, chalk on greyish laid paper
920
1920
Charcoal and brown chalk, partially blended with a stump on
921
1922/1923
Woodcut on soft Japan laid paper
922
1922/1923
Indian ink, charcoal and white chalk on paper
923
1924
Woodcut, reworked with opaque white, beneath the woodcut
924
1924
Lithograph on soft, beige laid paper
925
1924
Woodcut, reworked with Indian ink and opaque white on
926
1925
In the upper half of the sheet woodcut reworked with Indian
927
1925
927.1
1925
Woodcut on thick, soft, rough Japan paper
927.2
1925
Woodcut on soft, beige Japan paper
927.3
1925
Woodcut, reworked with Indian ink and opaque white on
927.4
1925
Woodcut on thick, soft, rough Japan paper
927.5
1925
Woodcut, reworked with Indian ink and opaque white on
927.6
1925
Woodcut, reworked with Indian ink and opaque white on
927.7
1925
Woodcut, reworked with Indian ink and opaque white on
927.8
1925
Woodcut, reworked with Indian ink and opaque white on
