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Circa 1895
Watercolour on firm watercolour paper
1921
Watercolour and pencil on fine wove paper
1916/1917
Oil on canvas
1901
Oil on cardboard
1924
Oil on canvas
1931
Oil on canvas
1933
Oil on canvas
1889
Watercolour (recto) - ink and watercolour (verso) on firm watercolour paper
Watercolour on firm watercolour paper
Polychrome faience
Circa 1912
Ink drawing on paper mounted on thin cardboard
Circa 1912
Ink drawing on paper, mounted on thin cardboard at the four corners
1939
Bronze
1933
Oil on canvas
1915
Oil on canvas
1930
Oil on canvas
1925-1929
In original brochure, with cardboard case
1945
Pen and ink drawing mounted on paper
1916
Drypoint mounted on paper with watermark "VAN GELDER ZONEN", on the reverse stamp "GRAPH. CABINET MUNICH"
Circa 1916
Drypoint on laid paper
1918
Drypoint on fine, cream-coloured Japan
1921
Drypoint on laid paper
1919
Drypoint on wove paper
1921
Drypoint on wove paper with watermark "VAN GELDER ZONEN"
1922
Lithograph on cream-coloured wove paper
1922
Lithograph on imitated Japan
1922
Lithograph on Japan
1922
Drypoint with minimal reworking in pen and black ink on cream-coloured laid paper with watermark "ORIGINAL HAND LINEN P & H"
1923
Drypoint on laid paper with watermark "BSB"
1946
15 lithographs on wove paper in cover paper with title page, table of contents and colophon. In original grey cloth portfolio, on which a reproduction of a pen and ink drawing showing the drypoint etching "Globus und Muschel" (Hofmaier no. 311) from 1927 is printed
1940
Pencil drawing, heightened in white, on thin cardboard
1910
Oil on canvas
Circa 1911/1912
Oil on canvas
1913
Oil on canvas
1897-1898
Brush in ink over preparatory drawing in pencil on thin wove paper. Same subject on the reverse
Circa 1900
Brush and ink on wove paper
1911
Etching on wove paper Arches with watermark
1910
Catalogue with original woodcut by Erich Heckel on the brownish cover and with 14 original woodcuts on wove paper: 6 by Ernst Ludwig Kirchner, 3 by Erich Heckel, 3 by Max Pechstein and 2 by Karl Schmidt-Rottluff as well as the 7th and last list of passive members of the "Brücke". Bound with three metal staples
1912
With original title woodcut by E.L. Kirchner, printed on blue laid paper with collaged, red paper and with 9 woodcuts on pink paper (Hadernpapier), bound with two metal staples
1841
Oil on canvas
1851
Oil on canvas
Probably 1912
Pencil drawing on postcard
1918
Gouache on postcard, varnished
Probably 1919
Gouache mounted on postcard
Probably 1920
Gouache, heightened, on paper, mounted on postcard
1878
Oil on canvas
1965
Monotype in colours on firm Japan with wide border
1923
Etching and aquatint on Montval laid paper with watermark
1924/1925
Etching and aquatint on wove paper
1925
Etching and drypoint on China
